Ismini, the main
protagonist is the story named after he character, has no gaps or silences, or
topics she avoid talking about. She doesn’t avoid thoughts or ideas, and her
parents do not have and particular gaps or silences. There are no aspects of
the story that suggest the author is avoiding topics or themes, either.
There are no
significant dreams or dream sequences. There are parts where Ismini reflects on
memories that show the problematic relationship her parents had. Ismini even
suggests that he father raped her mother, but she doesn’t dwell of the topic.
Ismini does have
a strong bond with her father, but she is not blind to his problematic
tendencies. Ismini becomes upset when her father does not come home for his birthday
dinner, when she prepared a special dinner. This could suggest that she is
feeling deprived of his affection and presence. Again, Freud would probably
read too much into the sentences her father says to her, ‘you’re so beautiful’.
It doesn’t align directly with the Electra complex, as the father initiates the
more intimate moments between the two, but Ismini appears to respond in a
non-negative way. The way he would ‘bend to heap hot kisses on her hands’, and
claims she is ‘too innocent’, which suggests that he wants her to remain that
way.
Particularly,
when Ismini reflects on the memory mentioned previously, her father says ‘don’t
tempt me!’ in response to her saying she it ‘so tired of innocence’, and he
proceeds to be ‘overcome by a wave of passion, crushing her fiercely in his
arms he would carry her limp and golden to her bed’, definitely suggests the
Electra complex has made an appearance, to a degree. Although it appears that
her father is initiating the potentially sexual situations, Ismini is the
narrator, and could be projecting.
No comments:
Post a Comment